Here we have the two musicians who gave us Mu and El Corazón in a live performance. There are no announcements and no titles have been assigned. But seasoned Don Cherry fans will notice the references to some Codona titles and the brief citation of Jim Pepper's Newly-Weds Song.

This is a partial recording of Pharoah Sanders' performance at the Antibes Jazz Festival 1968, consisting of "Venus," "The Creator has a Master Plan" and a third, unnamed track.

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The first volume Legacy’s Miles Davis bootleg series offered audio and video evidence of his second great quintet playing the Newport Jazz Festival in Europe in 1967. Acclaim from critics and fans was universal. This second entry, Live in Europe 1969: Bootleg Series, Vol. 2, showcases almost an entirely different band -- only saxophonist Wayne Shorter remains. Bassist Dave Holland, drummer Jack DeJohnette, and pianist Chick Corea made up Davis' road band, and other individuals participated in sessions for Filles de Kilimanjaro and In a Silent Way. These fire-breathing performances offer a band at fever pitch hearing and playing what they knew even then was a new chapter in jazz history.

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This is the second volume of the box set for the Third Great Quintet, aka 'The Lost band' of 1969-70 with Miles davies, Wayne Shorter, Chock Corea, dave Holland and Jack DeJohnette at their peak.
Ot's a deluxe three CD set which presents live recordings from the Antibes Jazz festival, Stockholm, and Berlin.

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Given the numerous times Miles Davis' official catalog has been issued, and the numerous live dates available, it's reasonable to question the necessity of a release with the subtitle Bootleg Series, Vol. 1.The answer, at least in this case, is a resounding "yes." This four-disc box -- three CDs and a DVD, capture Davis' second (and longest-lived) quintet at their creative pinnacle in 1967, playing five concerts in different European cities -- three on the CDs, two more on DVD. All of them were broadcasts from George Wein's Newport Jazz Festival in Europe.The concert tapes were licensed from the various nations' official broadcast archives.The CDs containing the Paris and Antwerp concerts have been bootlegged before -- though the Paris gig is finally complete here with the first two songs of the set added on -- and both feature better sound quality.

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Joseph "Joe" Satriani (born July 15, 1956) is an American instrumental rock guitarist, multi-instrumentalist and multiple Grammy Award nominee. Early in his career, Satriani worked as a guitar instructor, and some of his former students have achieved fame such as Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan and Alex Skolnick. Satriani has been a driving force in music credited to other musicians throughout his career, as a founder of the G3 tour, as well as performing in various positions with other musicians.

Great performance of the three giants of jazz at the jazz festival in Tokyo 4th September 2011.

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The explosive transformation of Miles Davis' “second great Quintet" with Wayne Shorter (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums) is laid bare on Miles Davis Quintet: Live in Europe 1967: The Bootleg Series Volume 1. Culled from original state-owned television and radio sources in Belgium, Denmark, France, Germany, and Sweden, the program spans five northern European festival performances over the course of nine days in October-November 1967. The audio shows consist entirely of previously unreleased or previously only bootlegged material.

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Michel Portal, one of the greatest clarinettists, and Yaron Herman, an impressive young pianist— welcomed by Thomas Duroux, Managing Director and oenologist (as well as a keen jazz enthusiast)—will familiarize themselves with the world of Château Palmer and have a preview tasting of the 2010 vintage of Château Palmer and Alter Ego. (Source: allaboutjazz.com)

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This Horace Silver CD compilation is yet another in the series of unauthorized reissues by the European bootleg label Giants of Jazz. With a dozen selections taken from five separate sessions originally recorded by the pianist for Blue Note, it is a good cross section of his early dates as a leader, though the mediocre sound, with its unexpected channel shifts and dropouts, is extremely annoying.

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